Hope is difficult for me to draw or paint. It is even more difficult to write about.

Hope is always in me. I take it for granted, usually, unless things get bad. But things have to get really bad before all I have left is hope.

I think this is due to hope being an emotional state rather than an optimistic point of view reached by conscious logical thought. Hope happens when reason is gone. When life feels so overwhelmingly bad, all I have left is hope… for something better.

Although, I can’t deny when life feels positively good, I feel an undercurrent of hope for stability. “I hope that nothing bad happens!” Hope can work against change when things are good and comfortable. Maybe that reflects the arbitrary nature of emotion.

Each of the drawings and paintings below are reflections of hope. The artworks are approximately 9″x12″ on card stock paper, created with markers, pens, watercolors, paint pens, and acrylic paint. The first piece of art is a Face of Hope at its time of overwhelming need. The second artwork is a Ray of Hope, shining through the darkest hour; a time it’s most clearly visible. And the third drawing is a nod to the American Democratic political party which connected popular culture’s idea of hope to a campaign, in the Smiling Eyes of Hope.

Special Thanks to Martha Marshall for contributing the idea for this 4th Art Challenge! And check out Vikki North’s blog (the originator of these art challenges!) to see her interpretation of HOPE!

~Michael

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These are 2 drawings of lion cubs. The first lion cub was drawn with markers, oil pastels, and paint pens. The line work in the first drawing started out fairly loose, but tightened up as I tried to correct proportion, value, and position mistakes. I left the second lion cub drawing abstract and cartoonish, and also used markers, oil pastels, and paint pens. The drawings are 9″ x 12″.

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The following three landscape paintings are approximately 3″x5″ and were painted with watercolors, markers, and paint pens on paper and multiple layers of laminate. The first painting is a yellow and white sun shining over a red landscape. The second painting is a scorching red-orange sun heating a red and purple landscape. And the third painting is a blue moon hovering over blue mountains and a green landscape. Each landscape painting consists of at least 3 layers of laminate which separate the washes and crisp lines of color, and add subtle variations in depth.

Visit the Art Gallery for more Landscape Paintings.

This is a drawing of eyes, created with a combination of mediums, such as pens, markers, paint pens, watercolor, and multiple layers of laminate. A variety of vivid colors were used to build up the eyes and the surrounding facial structure with washes of color and energetic lines. Each layer of laminate allowed for greater depth of features to be added without much blending of color and shapes, allowing for an extremely crisp and vivid final drawing. The eyes are drawn on 3″ x 5″ paper.

For more eye drawings visit the Marker Drawing of an Eye.

There is a beautiful painting of a face under there. It’s vibrant, vital, and has a lot of interesting colors and shapes to share. But the spark, albeit the tiniest glimmer in the eyes, has been covered up. Muddied and spray painted with opaqueness, it’s frustrating to look at what could be a joyful being, swallowed by apathy. Sinking into the cold coppery abyss without any care for saving oneself. It’s difficult to see the face clearly. You may want to, but just can’t. And the painting can barely see you. Sort of sums up sadness and depression to me.

This abstract painting of a sad or depressed face was painted with acrylics and spray paint on a masonite board. The painting is approximately 12″x16″.

P.S. So as not to alarm concerned viewers, I’m not depressed, but might have been when I painted this image. People, being the social creatures we are, are naturally inclined to assume art reflects personality or state of mind. And while that may be partly true, I give more credit to people’s ability to overcome obstacles after giving amnesty to fears.

Special thanks to the unspoken viewers who’ve given me the attention I needed to heal. Push for joy.

~Michael

These are two acrylic paintings, one of an abstract Ball or Sphere, and one of an abstract Cone. Energetic and expressive swirls of color are chaotically focused on creating a recognizable image. And the darker shadows and horizon lines help to ground the objects.

Simple three dimensional shapes, like cubes, spheres, cones, and cylinders, were some of the first objects I drew when I started my art hobby as a kid. The basic shapes helped simplify the world, and I began to understand how light and dark play against each other to create depth. As a young adult, the more I learn about the nature of the physical world, I understand there is more complexity than can be perceived by senses I’m accustomed to using, like sight and touch. So the paintings are a reminder of invisible depth in unobvious places.

This is a minimalistic drawing of an old man face with a red pen. A brush and water was used to add subtle shadows around the eyes, nose, and mouth. The commentary is similarly sparse… lost in thought like the old man’s gaze.

“Out of the Blue” is a 4″x6″ abstract sketch of a house and sunset, drawn with marker, crayon, paint pen, and colored pencil. My attention was focused on the colors more than anything else. I wanted to see what effect a few disjointed gradients and juxtapositions of specific colors would have on each other and the overall artwork. Bright and sunny, with bold red, green, blue, and yellow. Similar frantic style, but a new direction.

Metaphorically speaking, sometimes it’s helpful to draw or paint with one arm tied behind my back. “Adriaaaan!” Slowing down with thoughtful color choices increased my awareness, and it’s refreshing to mix things up in a creative rut.

This is an abstract portrait painting of an Art Goddess. The artwork is 9″x12″ and was created with pens, watercolor, paint pens, and markers. Multiple layers of medium were energetically and organically built up to create an abstract female face, with broad strokes of watercolor and detailed pen lines used to push and pull the space. The essence of creativity is playfully depicted as an Art Goddess, with the face as an almost universally recognizable lead in to the visual art.

As I’ve grown into art, I realized that I have developed a deliberate way of expressing myself visually. Perhaps the same way that some have a deeper understanding of other tools for expression and communication, like math, language, or music. I feel a deep appreciation for those other creative processes, even though I don’t understand the intricacies of them, I know there are areas of overlap and mutual insight. So I added a few subtle reminders of other tools that enrich and nurture visual art.

I also wondered, if more people were taught to convey emotions or concepts via color and shape more consistently, what new ways of thinking about the world would we discover? What unknown creativity awaits behind the Goddess’ eyes? And what flashes behind yours?