This is a drawing of eyes, created with a combination of mediums, such as pens, markers, paint pens, watercolor, and multiple layers of laminate. A variety of vivid colors were used to build up the eyes and the surrounding facial structure with washes of color and energetic lines. Each layer of laminate allowed for greater depth of features to be added without much blending of color and shapes, allowing for an extremely crisp and vivid final drawing. The eyes are drawn on 3″ x 5″ paper.

For more eye drawings visit the Marker Drawing of an Eye.

This is a minimalistic drawing of an old man face with a red pen. A brush and water was used to add subtle shadows around the eyes, nose, and mouth. The commentary is similarly sparse… lost in thought like the old man’s gaze.

“Out of the Blue” is a 4″x6″ abstract sketch of a house and sunset, drawn with marker, crayon, paint pen, and colored pencil. My attention was focused on the colors more than anything else. I wanted to see what effect a few disjointed gradients and juxtapositions of specific colors would have on each other and the overall artwork. Bright and sunny, with bold red, green, blue, and yellow. Similar frantic style, but a new direction.

Metaphorically speaking, sometimes it’s helpful to draw or paint with one arm tied behind my back. “Adriaaaan!” Slowing down with thoughtful color choices increased my awareness, and it’s refreshing to mix things up in a creative rut.

These are two 9″x12″ abstract portraits of artist Frank Calloway, drawn and painted with pen, ink, markers, colored pencils, and watercolors. Dina Kerik’s Deepwater Journal alerted me to the story of Frank and the reference image for the artworks.

I was inspired by his passion for drawing, which started when he was 86 years old. Frank Calloway turned 112 years old on July 2, 2008, and art continues to be a part his life. I also like the youthful quality of his drawings, and the consistency hints at a very mature, organized, and creatively patterned style.

High quality giclée prints of each portrait are available at ImageKind.

Theses are abstract drawings of skulls, sketched with markers, watercolors, paint pens, and artist tape. The acid free tape was layered over the eyes of the more abstracted green swirly drawing. A bandaged or mummified appearance hasn’t translated as thoroughly to the digital reproduction. The skull drawings use basic shapes of color, subtle lines of structure, and semi-opaque washes of watercolor sketched quickly and energetically. A white paint pen is also used to add interesting hot spots of washed out color and blur lines that intensify the subtle illusion of movement.