Australian born artist Anthony Lister is showing at the Lyons Wier Gallery in New York City from March 19 through to April 19.

A lot of my favorite artists are painters that never really give up using the pencil (line). Painterly paintings are good but so are paintings that look like drawings. I guess I like painterly drawings or linear paintings. I like painterly paintings and linear drawings too

Anthony Lister – Terms of Engagement, 2010
Mixed media on canvas, 39.5 x 39.5 inches

Anthony Lister – BET, 2010
mixed media on paper, 6.5 x 9.5 inches

Anthony Lister Super Girl 1, 2010
Mixed media on canvas, 14 x 11 inches

From the Lyons Wier Gallery blog here..
“Known in the Low Brow movement for his intriguing, playful hybrid of street art, expressionism, and cubism all manifested in non-traditional media such as spray paint; Lister’s new body of work shows the tongue-in-cheek frivolity of his earlier pieces developing (or decaying) into a more mature and disturbing direction. The deformities and un-done aesthetic resolve of Lister’s work provides viewers with a concretization of contemporary societies’ psyche – or, as the artist himself states, “making the obvious more, well, obvious”.”

OPENING: Fri. March 19th, 2010 6-9pm
DATES: March 19th – April 19th, 2010
See more Anthony Lister works from the exhibition here or see the artist’s website here.

Spencer Tunick has encouraged 5000 Australians to get naked and pose on the steps of the Sydney Opera House.

That’s not my white bum on the bottom left of the image as I chose not to scare the locals. I’m not much of a morning person either.

From the Sydney Morning Herald.. “The official name of Tunick’s installation was The Base. Yet after waiting two hours for the sun to come up, it became apparent that Blue Poles might be an appropriate title as a brisk wind hit the Opera House steps.”

“Procrastination refers to the deferment of actions or tasks to a later time. Psychologists often cite such behavior as a mechanism for coping with the anxiety associated with starting and/or completing any task or decision. There are three criteria for a behavior to be classified as procrastination: it must be counterproductive, needless, and delaying.

Procrastination may result in stress, a sense of guilt and crisis, severe loss of personal productivity, as well as disapproval by others for not meeting responsibilities or commitments. These feelings combined may promote further procrastination. While it is regarded as normal for people to procrastinate to some degree, it becomes a problem when it impedes normal functioning. Chronic procrastination may be a sign of an underlying psychological disorder.”

So, I have a label I can hide behind now. It’s not me to blame for the lack of posts, it’s the “psychological disorder” of “chronic procrastination” which I suffer from to blame. I knew all along that it wasn’t my fault and wikipedia has proven me right.

Sorry if I haven’t replied to your emails or comments lately, I really have been pretty vacant. I’m back on the horse now and holding tightly to the feisty little filly.

I wonder what has been happening in the world of art…

Since discovering the iPod I now rarely listen to whole albums while I paint as I just create play lists to suit my mood. But some albums just play well all the way through so I still use them in the studio.

Here’s Ten albums that have kept me company during the completion of a painting or two..

1. Leonard Cohen – Songs of Love and Hate
   Anything by Leonard is good to paint to though.
2. Antony and the Johnsons – Antony and the Johnsons
   This self titled album is a beauty. Antony Hegarty sings like an angel. All his stuff is good.
3. The Cinematic Orchestra – Ma Fleur
   Lovely album.. how could you not love this?
4. Angus and Julia Stone – A Book Like This
   Australian brother and sister duo.
5. Eddie Vedder – Music for the Motion Picture Into the Wild
   For some reason, this album always makes me want to give away all my possessions and travel. Perhaps it’s because I saw the movie.
6. Joan Valent – Insula Poetica
   Beautifully haunting music.. yum.
7. Moby – Go: The Very Best of Moby
   I sometimes need a lift in the studio.
8. Nick Cave and the Bad Seeds – The Boatman’s Call
   This album has a habit of taking me back to darker times, so I’m careful how I use it.
9. Hope Sandoval & the Warm Inventions – Bavarian Fruit Bread
   Her Mazzy Star albums are nice too.
10. PJ Harvey – To Bring You My Love
    I no longer have a working version of this CD but that’s because it used to live in my studio.

I really do like a lot of different types of music though. What are your TOP albums that you couldn’t live without in the studio? I need some new tunes on my itunes.

Here’s some quotes by fellow Australian artist Leith O’Malley, from an interview here at Art and Art Ed.

“Remember there are not better artists, just better publicists!”
Leith O’Malley

“When I am creating art… I have a real sense of excitement and even enlightenment. Just me and the work. It’s still there when a painting is completed but never as strong as the point where you are still trying to fit all the pieces together be it compositional, aesthetically or the colour and tone decisions along the way.”
Leith O’Malley

“Dismiss nothing unless you are informed enough about it to have an opinion. It is a lot like music.. in that there are so many different genres, ways to enjoy, interpretations and possibilities to create yourself. Don’t have your blinkers on and be open to understanding and enjoying all forms of art as in music.”
Leith O’Malley

I was asked a few questions by a student journalist at City University London recently..

1) First of all can you tell me a little bit about your work? What themes do you explore in your art and why? What do you strive to achieve through it?

I basically just paint what I want, how I want. I have no social or moral message to give. I stopped selling paintings 18 months or more ago, with no intention to start selling again until I can no longer fit in my house, which has brought about a change in how I see painting. I’m now thinking more about conceptual art and looking at ideas more than thinking about who would buy a work.

2) Recently the Tate Modern was forced to remove Richard Prince’s piece ‘Spiritual America’ from its Pop Life: Art in a Material World exhibition due to a public protest. What is your opinion on the matter? Do you think the piece was justly removed?

I don’t know. We live in a sick world, so we have to draw the line somewhere with images of young people. Having said that, I wish we lived in a world that could see the images as innocent and beautiful. So, as much as I hate censorship, I’m not really sure how I feel about cases like this. The Australian photographer Bill Henson has dealt with similar issues.

3) Do you think art institutions should have the freedom to display boundary-pushing art that may offend certain members of the public? Why?

I think it’s their job to push the boundaries. People that are easily offended shouldn’t visit galleries. They should stay home in their safe, comfortable home and drink tea quietly. Art is either going to look good hanging on your wall or is trying to tell you something. Both forms are equally valid for me.

4) What do you think pushes an artist to create pieces that can cause possible public backlash? Is this a reaction to modern reality or just a means of getting publicity?

It’s both. Most artists by nature are outsiders and like poking sticks at insiders, it amuses them to no end. You could also say it is a sign of the times we live in where you are nothing unless you are the biggest, loudest or most annoying. Many shock artists probably just needed more hugs growing up. Damien Hirst has made a career out of it. His career has been so filled with “shock” that when he paints a relatively normal looking exhibition (like his current one) it is looked at as shocking.

5) What do you think is the social role of art?

I believe there are two kinds of art: an art that should hang well on the wall and an art that has something to say. The latter should use any means possible to speak its message.

6) What do you think are the major changes in the public’s attitude towards art? Do you think our modern society is quick at judging and finding offence in everything?

I don’t know. I don’t think art is really that important to the general public. Nobody really takes much notice of art unless an artist is doing something outrageous. Being an artist or being involved in the art industry tricks you into thinking that art is everything and everyone must appreciate it as it’s so important to you, but the average guy on the street couldn’t care less about art.

Artists like the fact that society is quick to judge and easily offended. Many rely on these facts and play to them.

7) Do you think that by challenging conventional views art can truly make a change in the public‘s perception?

No, I don’t think art has the fire power to affect change in any meaningful way. It will always touch the minority that actually takes notice of art, but art won’t change society unless you include movies, the internet, and music. Things like painting, sculpture, installations, prints, and video art will never change much of society.

It seems that contemporary art is increasingly aimed to disturb and art which is made purely for aesthetic pleasure seems idealistic and secondary (beauty is often considered kitsch). What do you think caused this? Why qualities like disruptiveness and the shock value became marks of success?

It’s the media age. It takes something loud, colourful and shocking to get our attention. A Giorgio Morandi still life would bore most people to death these days. Most people have forgotten how to sit still for any length of time. Silent stillness forces you to look at yourself and that scares most people.

9) In the Satanic Verses, Salman Rushdie wrote “What is freedom of expression? Without the freedom to offend, it ceases to exist”. Do you think freedom of expression truly exists in our modern society?

Of course it doesn’t exist. We’re silly little immature beings that wouldn’t know what freedom of expression was if it punched us in the face. It’s nothing that a few hundred thousand years of evolution won’t fix though. Let’s just hope the earth will put up with us long enough to see us grow up.

I can’t honestly say how useful this application is as I don’t own an iPhone, but it sounds like a good idea. It’s a free application (I believe there is also a pro version for a small fee) available from iTunes which guides you to art museums, exhibitions and galleries around the world. If it does what it’s supposed to do it would be a must have for art travelers.

“Admittedly, we are still missing lots of info, but already have over 12,000 artists and 2600 galleries in our system – but we can only be as good as the people who provide us the info… Anyway, we developed this tool to make navigating the art world easy and hope that more and more people are going to make use of it.” hopnear

Find out more about the artnear iPhone application at the hopnear website here or look for it in the iTunes store.

I sometimes wonder why? What’s the point? Why make art at all?

It’s usually only after days like today, days that are physically, mentally and emotionally draining.

Everything will be alright tomorrow.

I’m susbcribed to a whole bunch of newsletters and am bombarded with all kinds of promotional emails, most of which I never open. But one that I always open is from Other Criteria. It is a collective of artists, pushing all kinds of limited editions, prints, and publications, but I really only look at what Damien Hirst is selling.

I find the man endlessly fascinating. How can a man that sells deckchairs and clocks still pull off auction sales like he does? I’m sure I’ll tire of him someday and hate him for what he’s doing to art, but that day hasn’t come yet. I still love him, even if I don’t care much for his art. I almost bought the Damien Hirst clock below, but I just bought a whole bunch of art supplies (why is cadmium so damn expensive?!), so my art budget has blown out this month.

Innocence Lost
Damien Hirst
2009
200 x 50 mm
Glass bottle with sauasge and alcohol

Innocence Lost, a glass baby’s bottle containing a pork sausage pickled in alcohol, makes foul, connotative paradoxes out of ideas of nourishment and nurture. Visually, the work is a reminder of Hirst’s formaldehyde pieces as well as the surreal performances of pantomime and Punch & Judy shows. It is at once humorous and disturbing.

The glass bottle is engraved with the edition number, Hirst logo and signature.
Price: £5,200.00

Large Spot Clock
Damien Hirst
2009
35 cm diameter
White powdered metal case and metal back
German Quartz movement

The clock uses Hirst’s popular spot paintings as its face, the front of which is printed with his signature and the Hirst/Hirst logo. The rear is printed with the Other Critera logo and the clock name.

Price: £475.00

The Other Criteria newsletter is really worth subscribing to, especially if you’re an artist that thinks art is precious or that art and commerce shouldn’t mix.

This news is a little late as I have been a very absent blog editor lately, but I keep telling myself that it’s better late than never.

This month the art news site Art Daily turned 13! In internet years thirteen is almost ancient.. well done Art Daily.

Here’s to another 13 years!

Five years no longer sounds old to me.