My earliest recollections are of an elaborate grate that covered an air shaft in the house where I was raised in Brooklyn. The pattern of swirls-the positive and negative space-the completeness of the Victorian design captivated me. The vent went out into a back yard and because the brass plate so fascinated me, I created elaborate visual images in my mind that incorporated the polished plate, shadowy shaft and the leafy garden beyond. I sketched the grate and used black Crayola crayons to block out the negative space. One day, I discovered a way of looking at the plate and my sketches through the viewfinder of my Dad’s Kodak Brownie. It was magic! So began my passion for architectural elements that define and augment visual space and my desire to create own art from these masterworks of stone, metal, glass and wood.
As an adolescent, I began to discover and appreciate architectural details that adorn buildings in New York City. The early photographs that I took were purely to capture the visual. Each time I saw a flower carved in stone, an interlocking and intricate geometric design created by ironwork, an enchanting or fierce marble face over a doorway, I had to capture it on film. I would wait anxiously for the photographs to come back (this before my education of the darkroom and the infinite possibilities that chamber held) from the camera store. Opening those envelopes was an experience filled with all the wonder of childhood: the images of art poured forth. I cropped the artful architectural details to create my own art and frequently drew or painted elaborate illustrations from those photographs. Some of the drawings and paintings were taken from one architectural image; others combined several ornaments into one composition. While my contemporaries in art classes were studiously copying the works of the masters, I was replicating and interpreting in my own way the often unsung artists who had sculpted masterpieces that ornamented buildings right in my own neighborhood. I did not need to look in art books to find statues and paintings that were housed in European museums to find my inspiration: all I had to do was look around my Brooklyn street or take a subway to my personal Oz: Manhattan. The artworks were all around me on the buildings I passed every day.
As a photographer of details of architecture, I am still enthralled by the magnificent art and meticulous craft that went in to the creation of ornamentation of architecture in the past. When I plan a day of photographing architecture, likely as not, I will be amazed by the details that I discover-even now. Throughout my travels, I have photographed vine covered lampposts, grim faced gargoyles, beatific angels, elaborate serpentine designs and elegant art deco relief I first photograph some of the area in which the detail exists. For example, on a recent shoot, I found inspirational subjects in Grand Central Station. Before taking photographs of the details to which I was drawn, I took pictures of the entire building from numerous angles. I then isolated the details of architecture that I wished to photograph. I always work with natural light to emphasize the characteristics of the detail of architecture and the way in which it was initially created. After I am satisfied that I had enough photographs of the architectural detail, I shoot the surfaces of the detail and the surrounding area up close so that I can understand the original medium: sandstone, marble, brass, oak, et al. Later, I look at the images for hours before selecting the very best way in which I can preserve and enhance the art of the architectural detail. The images of Grand Central Station’s magnificent architectural details gave me weeks of creative energy and a passion to return there often to seek out new details and further refine the previous photographs I took there.
My quest in seeking out architectural details from which to create my own art has given me a profound appreciation of the beauty and history of New York. The art of creating art from art can be a humbling, yet empowering experience. I have, on the one hand, the great artists who created these marvels of ornamentation to live up to as I incorporate their art into my own. On the other hand, I am mentored by some of the best possible teachers. It was and continues to be a wonderful way to express myself through art.
Created by Ellen Fisch On 03/31/09 At 09:05 AM
