We possibly wouldn’t say it about Rafa? Wilk’s works. They are often witty, playful, insightful. They play with the idea of light, of bi-dimensionality, of what a work is.
But, to continue on my doubt – does having a story constitute a challenge? Or is it just because we like the indolence of layered thinking, the safety net of there being “something else”, so as to let our imagination ride a little further…? But haven’t we turned it into a rule for (a lot of) contemporary art? This story-telling capacity? (Can someone say a good story about this? If so, the author of the story and the author of the work get a bonus.)
What if it’s a pretty picture? What if it’s pretty, pretty, pretty, a thousand times pretty? What if it’s so damned pretty you don’t want it to be a story, to go beyond it being pretty?
Of course, I have the right to omit the depth. And then also, every good story is many stories deep. But some of the best works I know present a fascinating resistance to storytelling. They are like a stone, at once attractive and opaque. They make me want to read within the lines.

And here, somewhat related, is a summer holiday bonus:

We possibly wouldn’t say it about Rafa? Wilk’s works. They are often witty, playful, insightful. They play with the idea of light, of bi-dimensionality, of what a work is.
But, to continue on my doubt – does having a story constitute a challenge? Or is it just because we like the indolence of layered thinking, the safety net of there being “something else”, so as to let our imagination ride a little further…? But haven’t we turned it into a rule for (a lot of) contemporary art? This story-telling capacity? (Can someone say a good story about this? If so, the author of the story and the author of the work get a bonus.)
What if it’s a pretty picture? What if it’s pretty, pretty, pretty, a thousand times pretty? What if it’s so damned pretty you don’t want it to be a story, to go beyond it being pretty?
Of course, I have the right to omit the depth. And then also, every good story is many stories deep. But some of the best works I know present a fascinating resistance to storytelling. They are like a stone, at once attractive and opaque. They make me want to read within the lines.

And here, somewhat related, is a summer holiday bonus:

One reason I like zapping through artist’s pages instead of always looking carefuly at their artist’s statements and curator’s notes is that I don’t need to undo the damage of their own thoughts about their work.
The latter often makes the experience of the work dull, as if our aesthetic wings were cut by the discursive blade. It is not that it isn’t informative, which it often is. It’s that it is rarely inspiring.
(Then again, this very blog may also be seen at such an angle).

The picture – entitled (…) – is by Marek Wykowski. (Found by Gocha)

There are two things about this short fragment I love.
The first is the choreography of joy. The slow-motion allows us to better appreciate the flow of the common movement, the combining of the bodies, the contrast between them and everything that happens around them.
But there is something else. The dance becomes obvious at the end, when the movement continues beyond what we expected. Yet there is one earlier moment, one step of the girl coming from “our” side, which makes that clear. At a very precise point, she deviates from the way she has been running, her body bends like a bow and then moves sideways. That is when the simple vectors of meeting become something else – something more complex, less obvious. The bodies, now, create a space for our meeting to go beyond the embrace.

A lot of my favorite artists are painters that never really give up using the pencil (line). Painterly paintings are good but so are paintings that look like drawings. I guess I like painterly drawings or linear paintings. I like painterly paintings and linear drawings too

Anthony Lister – Terms of Engagement, 2010
Mixed media on canvas, 39.5 x 39.5 inches

Anthony Lister – BET, 2010
mixed media on paper, 6.5 x 9.5 inches

Anthony Lister Super Girl 1, 2010
Mixed media on canvas, 14 x 11 inches

From the Lyons Wier Gallery blog here..
“Known in the Low Brow movement for his intriguing, playful hybrid of street art, expressionism, and cubism all manifested in non-traditional media such as spray paint; Lister’s new body of work shows the tongue-in-cheek frivolity of his earlier pieces developing (or decaying) into a more mature and disturbing direction. The deformities and un-done aesthetic resolve of Lister’s work provides viewers with a concretization of contemporary societies’ psyche – or, as the artist himself states, “making the obvious more, well, obvious”.”

OPENING: Fri. March 19th, 2010 6-9pm
DATES: March 19th – April 19th, 2010
See more Anthony Lister works from the exhibition here or see the artist’s website here.

I create lists that are too ambitious as I rarely ever complete the jobs on them. Which in some ways shows the masochist in me as I know I’m setting myself up to fail, but in other ways it gets me off my fanny (I have always wanted to use the word “fanny” in a sentence as it makes me laugh. In Australia the fanny is different to what a fanny is in the US).

Here’s my To Do List for Art News Blog this year. I figured if I published the list it would make me more likely to do it.

• Create or pay for a new blog design. Art News Blog has a pretty ordinary design and it hasn’t changed much in more than 5 years. I might even get a designer to create a new logo. I might even add a little color to the design.
• Move the blog to another blogging platform. Blogger is making some hosting changes so I figured now might be a good time to jump ship. Not because I don’t like Blogger but because I just want change.
• Post at least 5 times each week.
• Allow more guest posts by other bloggers and artists.
• Monetize the blog. I currently make about $0,000.00 on the blog so it shouldn’t be too difficult to increase that amount. I’m thinking, offer advertising spaces to artists, which might be a challenge as artists are TIGHT, like duck’s ass tight when it comes to spending money on marketing themselves. So I might look at approaching some art supply companies, galleries, art publications or just go the affiliate route.
• Post reviews on more products. Encourage companies to send products to me (I love receiving gifts in the post) and mention them. It could be win/win/win if done right. I get a surprise in the mail, the company gets exposure, and you learn about a wonderful new product! Competitions could be an option too, where I just tell the company to send the products to a reader of the blog.
• Respond to emails and comments!! Argh, sorry if I haven’t replied to you! Don’t take it personally, I suck. I do read everything, I just haven’t been replying to much lately.
• Keep up to date with what is happening and write about it! Pretty straight forward this one, I just have to look at my domain name to remind me; artnewsblog.com.
• Do more artist profiles. If I find an interesting artist online, I should do a post on them.

Anyone know of reasonably affordable blog designer that can make me a spiffy new blog and tranfer Art News Blog from Blogger to.. umm.. Wordpress or that other blogging platform that I can’t think of right now? Perhaps I should see a logo designer first.

That’s not my white bum on the bottom left of the image as I chose not to scare the locals. I’m not much of a morning person either.

From the Sydney Morning Herald.. “The official name of Tunick’s installation was The Base. Yet after waiting two hours for the sun to come up, it became apparent that Blue Poles might be an appropriate title as a brisk wind hit the Opera House steps.”